Its a comedy about a guarded woman who finds out shes dying of cancer, but when she meets her match, the threat of falling in love is scarier than death.

Maya Dolittle, the Doctor's youngest daughter, has inherited her father's gift for talking to animals, but so far it's brought her nothing but trouble. So, Maya heads to Durango summer camp to get in touch with her abilities.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress Simone to sub for the star--the first totally believable synthetic actress. The actress becomes an overnight sensation, with a major singing career as well, and everyone thinks shes a real person. However, as Simones fame skyrockets, he cannot bear to admit his fraud to himself or the world.

Disheveled musician and college student Adam (Cameron Douglas, son of Michael Douglas) goes out of his way to meet the beautiful Eve (Emmanuelle Chriqui) on campus. In no time, the two are in love. Everything goes swimmingly except in the bedroom, where Eve asserts her right to remain a virgin until shes ready. Adammdashthough deferentialmdashtakes her requirement personally and demands to know what ready means. The pair go on like this for months, with Adam remaining true to his passion for Eve, despite howls of protest from his degenerate housemates (among them Jake Hoffman, son of Dustin Hoffman)...

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers union has assigned organizer Sam Shapiro to bring its justice for janitors campaign to the building. Sam finds Maya a willing listener, shes also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

In rural Mississippi, Lazarus, a former blues musician who survives by truck farming, finds a young girl nearly beaten to death near his home. Shes the white-trash town tramp, molded by a life of sexual abuse at the hands of her father and verbal abuse from her mother, who seems to delight in reminding Rae of her mistake in not aborting her. Lazarus, who is also facing personal crisis at the dissolution of his marriage, nurses Rae back to health, providing her with gentle, fatherly advice as well as an education in blues music. Raes boyfriend, Ronnie, goaded by the man who nearly beat Rae to death, misunderstands the relationship between Lazarus and Rae, and vows to kill him. Lazarus, exhibiting a street-smart understanding of violence and its motives, calls Ronnies bluff, senses that he is as troubled as Rae, and becomes a guiding force in the young couples resurrection.

Catwoman is the story of shy, sensitive artist Patience Philips, a woman who cant seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever. In a mystical twist of fate, she is transformed into a woman with the strength, speed, agility and ultra-keen senses of a cat. With her newfound prowess and feline intuition, Patience becomes Catwoman, a sleek and stealthy creature balancing on the thin line between good and bad. Like any wildcat, shes dangerous, elusive and untamed. Her adventures are complicated by a burgeoning relationship with Tom Lone, a cop who has fallen for Patience but cannot shake his fascination with the mysterious Catwoman, who appears to be responsible for a string of crime sprees plaguing the city.

Underworld 4 is upcoming Hollywood movie of famous actress Kate Beckinsale which will be released on 20 January 2012. This will be fourth movie of super hit series Underworld which was originally released in 2003 with name Underworld. The next movie of sequel was Underworld Evolution which was released in 2006 and earned huge profits. The third movie of this series was Underworld Rise of Lycans which earned more than 91 million dollars in 2009.

Sofia Coppola’s first film since 2006's underrated Marie Antoinette is laden with the writer/director's now firmly established concerns: attractive (often young) people yearning, whether they know it or not, to connect and find some sort of deeper meaning in their privileged lives.

Somewhere’s simple setup centers on Johnny Marco (Stephen Dorff), a self-involved movie star suffering from an existential malaise who lives at Chateau Marmont (the height of Hollywood decadence) and who spends his listless days falling in and out of bed with women when not promoting his latest movie. Marco's dazed existence is altered, if only slightly, when his 11-year-old daughter (Elle Fanning) is unexpectedly left in his care.

When Kidulthood was released in 2006, it caused a minor stir for its dark depiction of teenagers in contemporary Britain. Beginning with the suicide of a girl bullied at school, it showed a society where violence, drug-taking and casual sex were rife amongst the young. As the title suggests, Adulthood has grown up a little bit. The violence, drug-taking and casual sex are still rife - but now the film comes with a conscience.

After a long delay and the new Star Trek vaulting Carriers lead Chris Pine to stardom, this post-apocalyptic thriller/horror is finally getting at least a limited release. When the film wrapped back in 2006 Paramount decided to shelve it, but what once seemed doomed to the overcrowded world of direct-to-DVD horror is now available in theaters for at least some of us.

“Outside the Law (Hors-la-loi)” is a thematic stand alone sequel to director Bouchareb’s 2006 film “Days of Glory” (which I did not know before watching) and is the second in a loosely planned trilogy. The movie takes place roughly between the early 1940’s and the early 1960’s and deals with lives of three Algerian brothers living in France during the Algerian war for independence.

When a crow smashes into their car windscreen a group of young friends find themselves stranded near a desolate cornfield and take shelter in a crumbling farmhouse, which they soon discover to be the centre of a terrifying supernatural ritual.


Formed in 2006 by filmmaker Courtney Solomon to produce and distribute his second feature An American Haunting, independent studio After Dark Films have since been making steady inroads into the horror market. After four years of promoting After Dark: Horrorfest in the U.S., the company are looking to move on from acquiring and distributing titles by partnering up with Lionsgate and Syfy to produce a new series of low-budget horrors. Now if you’re already familiar with other Syfy original films – a catalogue of ‘movies’ that includes trash such as Lake Placid 3, Man-Thing, Mega Piranha and the fantastically-titled Firestarter 2: Rekindled – it’s likely that alarm bells will be ringing. However, the first batch of films are now arriving and if writer-director Brett Simmons’ Husk is anything to go by, the series could be a welcome new addition for horror fans.

The last time we caught Sofia Coppola, she was considering the boredom of being queen in Marie Antoinette (2006), which was a red rag of woven silk to her detractors. Insular, they cry. Nothing to say.

Little in Somewhere, her latest portrait of cloistered celebrity, will silence this brigade – it’s about a bedraggled Hollywood action hunk called Johnny Marco, played with sheepish charm by Stephen Dorff, and the many ways in which he fritters away his time. He’s half-asleep in his Chateau Marmont hotel room, while two pole-dancing twins perform funny, coy routines at the end of his bed, unsure when they should pack up. On every balcony, there’s a budding actress beckoning, which is a problem when Johnny’s tweenage daughter Cleo (Elle Fanning, assured and delightful) wants to spend time with him, visiting by surprise.

As composers, performers, producers and the subjects of documentaries, John Lennon, Paul McCartney, George Harrison and Ringo Starr have made a remarkable contribution to the cinema over the years. The dominant figure, of course, has been Lennon. He's been impersonated by his fellow Liverpudlian Ian Hart in both Backbeat, Iain Softley's film about the Beatles in Hamburg, and The Hours and Times, Christopher Munch's picture about his 1963 trip with Brian Epstein to Barcelona, and more fleetingly in Todd Haynes's Bob Dylan movie I'm Not There. He's at the centre of a fascinating documentary on his political activities, The US vs John Lennon (2006) and haunts the shadowy edges of The Killing of John Lennon, Andrew Piddington's 2006 portrait of his assassin, Mark Chapman. Now we have Sam Taylor-Wood's feature debut, Nowhere Boy, an account of his late teens on Merseyside. Her superbly acted film stars the 19-year-old Aaron Johnson, who bears only the slightest physical resemblance to Lennon.